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A Saturday walk from Warorot to Nong Hoi taught me more than any keeper: accept an empty card, lean into Grainy Black & White, run small drills (edges, motion, background-first), and leave before frustration erases curiosity. A practice note for Chiang Mai street photography—presence, respect, and a clear return plan when nothing clicks.

Travel photography isn’t always what it seems. From incense villages in Hanoi to salt fields near Bangkok, many iconic images are staged for tourists and cameras. Add to that the rise of AI-generated photos, and authenticity feels more fragile than ever. This post explores the difference between staged and real travel photography, why it matters, and why imperfect, authentic moments still hold the most truth.

In this street photography session in Chiang Mai, I set my Canon 90D to Grainy Black & White mode, capturing the city without color or RAW files. The in-camera monochrome setting sharpened my focus on contrast, composition, and texture. From bustling markets to quiet corners, and a special mini-series on hands, each image became a timeless study of form, light, and emotion — revealing the city in a completely new way.

AI is reshaping how we create and consume photography. This article explores the thin line between creativity and authenticity through the eyes of a street photographer living in Thailand. From subtle AI tools in Lightroom to fully generated dreamlike scenes, where does visual truth begin—and end? And what remains of our role as photographers in a world of flawless illusions? A reflection for those who still believe in the beauty of the real.

As a street photographer, you're tuned in to the pulse of life. You chase fleeting glances, dramatic light falling between buildings, the...

I almost always shoot in color. But sometimes, when an image doesn’t quite come together in post-processing, I have a quiet ritual: I try it in black and white. In this blog post, I share my very first experience editing street and portrait photography in monochrome. Inspired by masters like Henri Cartier-Bresson, Robert Doisneau, and Studio Harcourt, I revisited my archives to explore how light, contrast, and emotion shift when color fades. A journey into seeing differently

In the ever-changing light and chaos of street photography, shooting in full Manual mode can slow you down when every second counts. That’s why I rely on Aperture Priority—paired with Auto ISO—to stay reactive and creative. In this blog post, I explore why semi-auto settings often outperform Manual in real-world conditions, how I switch modes depending on the scene, and how this approach helps me capture raw, unmissable moments across Thailand’s vibrant streets. Whether you'r

Photographing Thai temples: tips, respect, and moments that matter. Monks, rituals, and the art of capturing quiet grace.

There’s always a gap—sometimes a canyon—between the scene your eyes witness and the file your sensor records. Street photographers feel...

Step into the heart of Chiang Mai’s Bamboo Rocket Festival through the eyes of a street photographer. More than just rockets in the sky, this visual story captures joy, tradition, teamwork, and the raw emotion of a community celebrating together—through dust, rain, and laughter.

What can you capture in just one hour? If you're in Chiang Mai, the answer is: everything that matters. As street photographers, we often...

Where Color Meets Calm A twenty-minute ride east of Chiang Mai delivers you to a world painted in pastels and lacquer. In Bo Sang,...

Backstage, time slows down. The noise of the outside world fades, replaced by the soft rhythm of brushes against skin, the rustle of...

People often ask me how I do it. How do you ask a stranger if you can take their portrait? What do you say? How do you approach someone...

Discover why Chiang Mai Train Station is a hidden gem for photographers. Explore what to shoot, the best times to go, and how to capture powerful stories through light, symmetry, and candid street scenes. A complete photography guide to Chiang Mai’s most overlooked location.

Some days, you walk for hours with your camera and feel nothing. But then, on the way back—when you’ve let go of expectations—a single moment appears. That’s how I met her: a woman in a blue dress, lighting her cheroot with the patience of someone who has nothing to prove. And suddenly, the whole walk had meaning.

"The camera is an instrument that teaches people how to see without a camera." — Dorothea Lange Why I Photograph People I never set out...

In a world where everything lives on screens, printing your photographs brings emotion, presence, and connection back into your work. Here's why holding your images on paper still matters—now more than ever.

II went to Warorot Market with a simple goal: buy a few essentials. But as any photographer knows, you never really walk through this...

Behind every photo, there’s often a quiet voice whispering, “You’re not good enough.” This post explores impostor syndrome in photography—the self-doubt, the constant comparisons, and the fear of not measuring up. But it also celebrates the courage to keep showing up, to keep creating, and to believe that your perspective matters.